This guest post is by Helen on the Cast Iron Balcony.
Aaaaaaargh!
It’s (gag) happened!

Elizabeth and the dweeby, creepy, moustached Anthony have finally realised that each other is their Only Trew Love, and they’re going at it like… well, as far as anyone can go at it in this agressively wholesome, goody two-shoes comic strip. I’m not the only one. There is appalled-ness all over the internets.
If you don’t know what I’m going on about, it’s the comic strip For Better or For Worse, or the FOOBiverse, which has been infesting the funnies page of the AGE for the last few decades. I’m drawn back to it time and again by the seeming inevitability that somehow, sometime, something interesting has to happen… and it never does. The strips ususally end with a bad pun, or a trite piece of folksy wisdom, in the final frame.
For years, young twentysomething Elizabeth has been seeing various attractive helicopter pilots and other charismatic, if one-dimensional, characters who inhabit her teaching zone in far north Canada, or wherever it is. Meanwhile, her dweeby High School boyfriend languishes in her home suburb (just around the corner from her parents), married to the evil Therese (who works full time while Anthony looks after their child – you see, he wanted a baby, she didn’t, and she acquiesced when he told her he’d be a SAHD. Well, she.. she… well, she took him at his word! Sheesh! She is the evil to end all evils.) Naturally, everything in the FBOFW plot is grinding hopelessly towards what Shaenon Garrity describes as “the plodding inevitability of the Liz-Anthony pairing”.
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Filed under: Culture, crass, peeves, relationships, vitriol